2024 Winter Books

Camellia Network, whose mission is to create a national network that connects every youth aging out of foster care to the critical resources, opportunities, and the support they need to thrive in adulthood.  I knew nothing about the use of flowers to convey expressions and messages.

The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system with nowhere to go, Victoria realizes she has a gift for helping others through the flowers she chooses for them. But an unexpected encounter with a mysterious stranger has her questioning what’s been missing in her life. And when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness. Amazon

Named Best Foreign Book of 2021 in France
Finalist for the Prix Médicis 2021
Longlisted for the European Literature Prize 2021

The longest river in Europe, the Volga, divides the continent in two. On one side, mighty mountains, large Russian cities with white stone churches, translucent blue lakes of icy water, a cold wind blowing from the North Sea, and, in the early years of the twentieth century, the winds of momentous change blowing even harder, bringing with them revolution and ideologies that will shape the next two centuries of human history. On the other side, a world that belongs to the past, that is shored up by the vast Western Steppe, where small villages dot vast farmlands and life is perfumed by a hot, fragrant breeze that has its source in the Turkmen desert and the salty Caspian Sea.

Two worlds that could not be further apart. Two worlds that will be brought together when Jakob Bach is hired by Udo Grimm to give lessons to Grimm’s daughter, Klara. The love that grows between Jakob and Klara has unimaginable consequences. Expelled from Gnadenthal when their affair is discovered, they settle in a secluded hamlet hidden deep in the woods to live their lives in peace. But following a tragic episode, Jacob, psychically scarred, is forced to raise his daughter Anche alone. The fairy tales he invents and puts to paper in an effort to forge a bond with his daughter become widely known and slowly life in the German colonies along Volga begins to resemble the stories created by Bach.

In the 18th century, the Russian empress Catherine the Great invited Europeans to immigrate and become Russian citizens and farm Russian lands while maintaining their language and culture. The settlers came mainly from Germany, and following the Russian Revolution, the Volga German Soviet Republic was founded, lasting until 1941, when it was abolished after the Germans invaded the region. In September 1941 all Volga Germans were deported. Over half a million were sent into exile in Siberia and Kazakhstan.

Jacob Bach’s life reflects and foreshadows that of his native colony, Gnadenthal, in this sweeping epic set in the dying years of the 19th century through to the mid-twentieth century of personal tragedy and resilience. In telling a stirring family story, Yakhina also recounts the story of a people, a republic, a nation, a tale that begins in quietude, flows and grows mighty, crosses space and time, like the Volga River itself. Amazon

Meg works for a casino in LA, catching cheaters and popping a few too many pain pills to cope, following a far different path than her sister Haley, a famous actress. But suddenly reports surface of Haley dying at the remote rehab facility where she had been forced to go to get her addictions under control.

There are whispers of suicide, but Meg can’t believe it. She decides that the best way to find out what happened to her sister is to check in herself―to investigate what really happened from the inside.

Battling her own addictions and figuring out the truth will be much more difficult than she imagined, far away from friends, family―and anyone who could help her. Amazon 

So begins Janika Oza’s masterful, richly told epic, where the embers of this desperate act are fanned into flame over four generations, four continents, throughout the twentieth century. Pirbhai’s children are born in Uganda during the waning days of British colonial rule, and as the country moves toward independence, his granddaughters, three sisters, come of age in a divided nation. Latika is an aspiring journalist, who will put everything on the line for what she believes in; Mayuri’s ambitions will take her farther away from home than she ever imagined; and fearless Kiya will have to carry the weight of her family’s silence and secrets.

In 1972, the entire family is forced to flee under Idi Amin’s military dictatorship. Pirbhai’s grandchildren are now scattered across the world, struggling to find their way back to each other. One day a letter arrives with news that makes each generation question how far they are willing to go, and who they are willing to defy, to secure their own place in the world.

A History of Burning is an unforgettable tour de force, an intimate family saga of complicity and resistance, about the stories we share, the ones that remain unspoken, and the eternal search for home. Amazon

LONGLISTED FOR THE BOOKER PRIZE

NAMED A BEST BOOK OF THE YEAR BY THE NEW YORKER, NPR, SLATE, THE FINANCIAL TIMES, AND A WASHINGTON POST NOTABLE WORK

A NEW YORK TIMES EDITORS’ CHOICE

From the bestselling author of The Garden of Evening Mists, a spellbinding novel about love and betrayal, colonialism and revolution, storytelling and redemption.

The year is 1921. Lesley Hamlyn and her husband, Robert, a lawyer and war veteran, are living at Cassowary House on the Straits Settlement of Penang. When “Willie” Somerset Maugham, a famed writer and old friend of Robert’s, arrives for an extended visit with his secretary Gerald, the pair threatens a rift that could alter more lives than one.

Maugham, one of the great novelists of his day, is beleaguered: Having long hidden his homosexuality, his unhappy and expensive marriage of convenience becomes unbearable after he loses his savings―and the freedom to travel with Gerald. His career deflating, his health failing, Maugham arrives at Cassowary House in desperate need of a subject for his next book. Lesley, too, is enduring a marriage more duplicitous than it first appears. Maugham suspects an affair, and, learning of Lesley’s past connection to the Chinese revolutionary, Dr. Sun Yat Sen, decides to probe deeper. But as their friendship grows and Lesley confides in him about life in the Straits, Maugham discovers a far more surprising tale than he imagined, one that involves not only war and scandal but the trial of an Englishwoman charged with murder. It is, to Maugham, a story worthy of fiction.

A mesmerizingly beautiful novel based on real events, The House of Doors traces the fault lines of race, gender, sexuality, and power under empire, and dives deep into the complicated nature of love and friendship in its shadow. Amazon

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.

Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.

From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.”

Bret Easton Ellis’s masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city.

Seventeen-year-old Bret is a senior at the exclusive Buckley prep school when a new student arrives with a mysterious past. Robert Mallory is bright, handsome, charismatic, and shielding a secret from Bret and his friends even as he becomes a part of their tightly knit circle. Bret’s obsession with Mallory is equaled only by his increasingly unsettling preoccupation with the Trawler, a serial killer on the loose who seems to be drawing ever closer to Bret and his friends, taunting them—and Bret in particular—with grotesque threats and horrific, sharply local acts of violence. The coincidences are uncanny, but they are also filtered through the imagination of a teenager whose gifts for constructing narrative from the filaments of his own life are about to make him one of the most explosive literary sensations of his generation. Can he trust his friends—or his own mind—to make sense of the danger they appear to be in? Thwarted by the world and by his own innate desires, buffeted by unhealthy fixations, he spirals into paranoia and isolation as the relationship between the Trawler and Robert Mallory hurtles inexorably toward a collision. 

Set against the intensely vivid and nostalgic backdrop of pre-Less Than Zero L.A., The Shards is a mesmerizing fusing of fact and fiction, the real and the imagined, that brilliantly explores the emotional fabric of Bret’s life at seventeen—sex and jealousy, obsession and murderous rage. Gripping, sly, suspenseful, deeply haunting, and often darkly funny, The Shards is Ellis at his inimitable best. Amazon

1999: The Kim family is struggling to move on after their mother, Sunny, vanished a year ago. Sixty-one-year-old John Kim feels more isolated from his grown children than ever before. But one evening, their fragile lives are further upended when John finds the body of a stranger in the backyard, carrying a letter to Sunny, leaving the family with more questions than ever.

1977: Sunny is pregnant and has just moved to Los Angeles from Korea with her aloof and often-absent husband. America is not turning out the way she had dreamed it to be, and the loneliness and isolation are broken only by a fateful encounter at a bus stop. The unexpected connection spans the decades and echoes into the family’s lives in the present as they uncover devastating secrets that put not only everything they thought they knew about their mother but their very lives at risk.

Both “an intricately crafted mystery and a heart-wrenching family saga” (Michelle Min Sterling, New York Times bestselling author), What We Kept to Ourselves masterfully explores what it means to dream in America.  Amazon

Beloved bestseller Kristin Hannah (The Nightingale, The Four Winds) turns her lens on the Vietnam War era in The Women. It’s 1966, and Frankie McGrath is a mild-mannered nursing student from a wealthy California family who’s always done what’s expected of her. When the brother she idolizes is deployed with the Navy, she impulsively decides to follow his example and joins the U.S. Army Nurse Corps. The gripping, powerful story that unfolds pays tribute to the women whose courage and sacrifice during one of America’s longest wars remain largely overlooked. https://www.realsimple.com/best-books-2024-8547071

In the tradition of the New York Times bestseller Empire of the Summer Moon comes a spellbinding account of a forgotten chapter in American history: the deadly confrontation between Indians and colonists in Massachusetts in 1704 and the tragic saga that unfolded, written by acclaimed historian James Swanson.

Once it was one of the most infamous events in early American history. Today, it has been nearly forgotten.

In an obscure, two-hundred-year-old museum in a little town in western Massachusetts there stands what once was the most revered relic from the history of early New England: the massive, tomahawk-scarred door that came to symbolize the notorious Deerfield Massacre of 1704. This impregnable barricade—known to early Americans as “The Old Indian Door”—constructed from double-thick planks of Massachusetts oak and studded with hand-wrought iron nails to repel the tomahawk blades wielded by several attacking Native tribes, is the sole surviving artifact from one of the most dramatic moments in colonial American history: In the leap year of 1704, on the cold, snowy night of February 29, hundreds of Indians and their French allies swept down on an isolated frontier outpost to slaughter or capture its inhabitants.

The sacking of Deerfield led to one of the greatest sagas of survival, sacrifice, family, and faith ever told in North America. One hundred and twelve survivors, including their fearless minister, the Reverend John Williams, were captured and forced to march three hundred miles north into enemy territory in Canada. Any captive who faltered or became too weak to continue the journey—including Williams’s own wife—fell under the tomahawk or war club.

Survivors of the march willed themselves to live and endured captivity. Ransomed by the royal governor of Massachusetts, the captives later returned home to Deerfield, rebuilt their town and, for the rest of their lives, told the incredible tale. The memoir of Rev. Williams, The Redeemed Captive, published soon after his liberation, became one of the first bestselling books in American history and remains a literary classic. The Old Indian Door is a touchstone that conjures up one of the most dramatic and inspiring stories of colonial America—and now, at last, this legendary event is brought to vivid life by popular historian James Swanson.

From the ages of fourteen to seventeen, Freeman lived in psychiatric wards after developing anorexia nervosa. Her doctors informed her that her body was cannibalizing her muscles and heart for nutrition, but they could tell her little else: why she had it, what it felt like, what recovery looked like. For the next twenty years, Freeman lived as a “functioning anorexic,” grappling with new forms of self-destructive behavior as the anorexia mutated and persisted. Anorexia is one of the most widely discussed but least understood mental illnesses. Through “sharp storytelling, solid research and gentle humor” (The Wall Street Journal), Freeman delivers an incisive and bracing work that details her experiences with anorexia—the shame, fear, loneliness, and rage—and how she overcame it. She interviews doctors to learn how treatment for the illness has changed since she was hospitalized and what new discoveries have been made about the illness, including its connection to autism, OCD, and metabolic rate. She learns why the illness always begins during adolescence and how this reveals the difficulties for girls to come of age. Freeman tracks down the women with whom she was hospitalized and reports on how their recovery has progressed over decades.

Good Girls is an honest and hopeful story of resilience that offers a message to the nearly 30 million Americans who suffer from eating disorders: Life can be enjoyed, rather than merely endured. Amazon

Fear Is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodríguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorized and controlled what was once Miriam’s quiet hometown of San Fernando, Mexico, almost one hundred miles from the U.S. border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own version of justice.

Woven into this deeply researched, moving account is the story of how cartels built their power in Mexico, escalated the use of violence, and kidnapped and murdered tens of thousands. Karen was just one of the many people who disappeared, and Miriam, a brilliant, strategic, and fearless woman, begged for help from the authorities and paid ransom money she could not afford in hopes of saving her daughter. When that failed, she decided that “fear is just a word,” and began a crusade to track down Karen’s killers and to help other victimized families in their search for justice.

What do people do when their country and the peaceful town where they have grown up become unrecognizable, suddenly places of violence and fear? Azam Ahmed takes us into the grieving of a country and a family to tell the mesmerizing story of a brave and brilliant woman determined to find out what happened to her daughter, and to see that the criminals who murdered her were punished. Fear Is Just a Word is an unforgettable and moving portrait of a woman, a town, and a country, and of what can happen when violent forces leave people to seek justice on their own. Amazon & Economist

In May 2016, Fort McMurray, the hub of Canada’s oil industry and America’s biggest foreign supplier, was overrun by wildfire. The multi-billion-dollar disaster melted vehicles, turned entire neighborhoods into firebombs, and drove 88,000 people from their homes in a single afternoon. Through the lens of this apocalyptic conflagration—the wildfire equivalent of Hurricane Katrina—John Vaillant warns that this was not a unique event, but a shocking preview of what we must prepare for in a hotter, more flammable world.

Fire has been a partner in our evolution for hundreds of millennia, shaping culture, civilization, and, very likely, our brains. Fire has enabled us to cook our food, defend and heat our homes, and power the machines that drive our titanic economy. Yet this volatile energy source has always threatened to elude our control, and in our new age of intensifying climate change, we are seeing its destructive power unleashed in previously unimaginable ways.

With masterly prose and a cinematic eye, Vaillanttakes us on a riveting journey through the intertwined histories of North America’s oil industry and the birth of climate science, to the unprecedented devastation wrought by modern forest fires, and into lives forever changed by these disasters. John Vaillant’s urgent work is a book for—and from—our new century of fire, which has only just begun. Book Riot

In 2016, a wildfire ripped through the oil town of Fort McMurray, in Alberta, hot enough to vaporize toilets and bend a street light in half. It was the most expensive disaster in Canada’s history. This alarming account tracks the destruction, the role of fire in industry in the past hundred and fifty years, and the disregarded alarms about the environment raised by scientists, dating as far back as the eighteen-fifties. “Climate science came of age in tandem with the oil and automotive industries,” Vaillant writes, and their futures are as linked as their pasts. The number of places facing fates similar to Fort McMurray’s is rapidly increasing, even as “our reckoning with industrial CO2” moves painfully slowly. Amazon &

Before the Greeks, the idea of the world was dominated by god-kings and their priests. Twenty-five hundred years ago, in a succession of small eastern Mediterranean harbor cities, a few heroic men and women decided to cast off mental subservience and apply their own thinking minds to the conundrums of life.

These great innovators shaped the beginnings of western philosophy. Through the questioning voyager Odysseus, Homer explored how we might navigate our way through the world. Heraclitus, in Ephesus, was the first to consider the interrelatedness of things. Xenophanes of Colophon was the first champion of civility. On the Aegean island of Lesbos, the early lyric poets Sappho and Alcaeus asked themselves, “How can I be true to myself?” On Samos, Pythagoras imagined an everlasting soul and took his ideas to Italy, where they flowered again in surprising and radical forms.

The award-winning writer Adam Nicolson travels with us through this transforming world and asks what light these ancient thinkers can throw on our deepest preconceptions. Enhanced with maps, photographs, and artwork, How to Be is an expedition into early ideas. Nicolson takes us to the dawn of investigative thought and makes the fundamental questions of the ancient philosophers new again. What are the principles of the physical world? How can we be good in it? And why do we continue to ask these questions? It is an enthralling, exhilarating journey. Amazon & The Week

New York Times Book Review • 100 Notable Books of 2022

Best Books of 2022 ― New Yorker, Kirkus Reviews

Longlisted for the Andrew Carnegie Medal for Excellence

“I can only wish that, when I was that lonely college junior and was finishing Bury My Heart at Wounded Knee, I’d had Hämäläinen’s book at hand.” ―David Treuer, The New Yorker

“[T]he single best book I have ever read on Native American history.” ―Thomas E. Ricks, New York Times Book Review

A prize-winning scholar rewrites 400 years of American history from Indigenous perspectives, overturning the dominant origin story of the United States.

In the opening pages of this book, Hämäläinen, a historian at Oxford, maintains that the America we know was—in its borders, shape, and culture—far from inevitable. Throughout the work, which details the rise and fall of early empires and Native responses to European colonial forays, Hämäläinen stresses the kinetic nature of Indigenous power. Even after the so-called colonial era, tribal nations often played a determining role in American history. Instead of a foreordained story of decline and victimization, Hämäläinen wants us to see a parade of contingencies, with tribal nations regularly giving as good as they got, or even better. There is an old, deeply rooted story about America that goes like this: Columbus “discovers” a strange continent and brings back tales of untold riches. The European empires rush over, eager to stake out as much of this astonishing “New World” as possible. Though Indigenous peoples fight back, they cannot stop the onslaught. White imperialists are destined to rule the continent, and history is an irreversible march toward Indigenous destruction.

In Indigenous Continent, acclaimed historian Pekka Hämäläinen presents a sweeping counternarrative that shatters the most basic assumptions about American history. Shifting our perspective away from Jamestown, Plymouth Rock, the Revolution, and other well-trodden episodes on the conventional timeline, he depicts a sovereign world of Native nations whose members, far from helpless victims of colonial violence, dominated the continent for centuries after the first European arrivals.

Hämäläinen ultimately contends that the very notion of “colonial America” is misleading, and that we should speak instead of an “Indigenous America” that was only slowly and unevenly becoming colonial. Necessary listening for anyone who cares about America’s past, present, and future, Indigenous Continent restores Native peoples to their rightful place at the very fulcrum of American history.   Amazon & https://bookriot.com/2023-national-book-awards-longlists/

In the weeks after Japan finally surrendered to the Allies to end World War II, the world turned to the question of how to move on from years of carnage and destruction. For Harry Truman, Douglas MacArthur, Chiang Kai-shek, and their fellow victors, the question of justice seemed clear: Japan’s militaristic leaders needed to be tried and punished for the surprise attack at Pearl Harbor; shocking atrocities against civilians in China, the Philippines, and elsewhere; and rampant abuses of prisoners of war in notorious incidents such as the Bataan death march. For the Allied powers, the trial was an opportunity to render judgment on their vanquished foes, but also to create a legal framework to prosecute war crimes and prohibit the use of aggressive war, building a more peaceful world under international law and American hegemony. For the Japanese leaders on trial, it was their chance to argue that their war had been waged to liberate Asia from Western imperialism and that the court was victors’ justice.

For more than two years, lawyers for both sides presented their cases before a panel of clashing judges from China, India, the Philippines, and Australia, as well as the United States and European powers. The testimony ran from horrific accounts of brutality and the secret plans to attack Pearl Harbor to the Japanese military’s threats to subvert the government if it sued for peace. Yet rather than clarity and unanimity, the trial brought complexity, dissents, and divisions that provoke international discord between China, Japan, and Korea to this day. Those courtroom tensions and contradictions could also be seen playing out across Asia as the trial unfolded in the crucial early years of the Cold War, from China’s descent into civil war to Japan’s successful postwar democratic elections to India’s independence and partition.

From the author of the acclaimed The Blood Telegram, which was a Pulitzer Prize finalist, this magnificent history is the product of a decade of research and writing. Judgment at Tokyo is a riveting story of wartime action, dramatic courtroom battles, and the epic formative years that set the stage for the Asian postwar era. Amazon

LONGLISTED FOR THE NATIONAL BOOK AWARD – New York Times Book Review Editors’ Choice – “A searing account of grief and the quest to bring her sister’s murderer to justice years after the fact” (The Boston Globe), from “one of Mexico’s greatest living writers” (Jonathan Lethem). 

October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend. Inspired by feminist movements across the world and enraged by the global epidemic of femicide and intimate partner violence, Cristina embarks on a path toward justice. Liliana’s Invincible Summer is the account—and the outcome—of that quest .

In luminous, poetic prose, Rivera Garza tells a singular yet universally resonant story: Liliana is a spirited, wondrously hopeful young woman who tried to survive in a world of increasingly normalized gendered violence. Rivera Garza traces her sister’s history, depicting everything from Liliana’s early romance with a handsome but possessive and short-tempered man to that exhilarating final summer of 1990 when she loved, thought, and traveled more widely and freely than she ever had before.

Using her skills as an acclaimed scholar, novelist, and poet, Rivera Garza collected and curated evidence—handwritten letters, police reports, school notebooks, interviews with Liliana’s loved ones—to document her sister’s life. Through this remarkable and genre-defying memoir, she confronts the trauma of losing her sister and examines how this tragedy continues to shape who she is—and what she fights for—today. BookBrowse & Amazon

In the summer of 1990, Liliana Rivera Garza, a twenty-year-old architecture student in Mexico City, was murdered by her former boyfriend, who suffocated her with a pillow in her apartment. In this book, Liliana’s sister, a celebrated fiction writer and historian, memorializes her younger sister while indicting the “underground and constant” violence of entrenched male hatred for women. The narrative begins with Rivera Garza’s attempt to recover a lost police file, in 2019, and widens to encompass newspaper clippings, photographs, interviews, and Liliana’s letters and notebooks—what Rivera Garza calls “layers of experience that have settled over time,” and which she has the duty to “desediment.” The result is a text that roves between different styles of narration, sometimes verging on the experimental, as she tries to reconstruct the circumstances that led to her sister’s death, to devise a language adequate to her family’s grief, and to rescue memories of a young woman who was, as Liliana’s notes attest, thirsty for life: “I am a seeker. I want to try new things; maybe more pain and loneliness, but I think it would be worth it. I know there is more than these four walls and this sky, annoyingly blue.” Amazon & BookBrowse     https://bookriot.com/2023-national-book-awards-longlists/

From the jungles of Honduras to macabre archaeological sites in the American Southwest, Douglas Preston’s journalistic explorations have taken him across the globe. He broke the story of an extraordinary mass grave of animals killed by the asteroid impact that caused the extinction of the dinosaurs, he explored what lay hidden in the booby-trapped Money Pit on Oak Island, and he roamed the haunted hills of Italy in search of the Monster of Florence. When he hasn’t been co-authoring bestselling thrillers featuring FBI Agent Pendergast, Preston has been writing about some of the world’s strangest and most dramatic mysteries.

The Lost Tomb brings together an astonishing and compelling collection of true stories about buried treasure, enigmatic murders, lost tombs, bizarre crimes, and other fascinating tales of the past and present. Amazon

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage—all the while believing they were doing what was best for him.

For their own safety and to ensure the kidnapping remained a success, Shane’s grandparents had to make sure that he never knew the full story, so he was raised to participate in his own disappearance. But despite elaborate fabrications and unreliable memories, Shane begins to reconstruct his own story and to forge his own identity. Gradually, the truth unveils itself, and with the truth, comes a path to reuniting with his father and finding his own place in the world.

A revelatory account of an American childhood that hauntingly echoes the larger story of race in our country, Pulling the Chariot of the Sun is written with the virtuosity and heart of one of the finest poets writing today. A powerful reflection on what is broken in America—this is “an essential story for our times” (Hilton Als, Pulitzer Prize–winning author of White Girls). BookBrowse & Amazon

A BEST BOOK OF THE YEAR: The New York Times Book Review, The New Yorker, The Economist, Chicago Public Library, CrimeReads, The Mary Sue

“My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.”

Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.

Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.

The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.”

A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist. NPR & Amazon

Graphic Stories

In her keenly observed graphic memoir, Impossible People, celebrated cartoonist Julia Wertz chronicles her haphazard attempts at sobriety and the relentlessly challenging, surprisingly funny, and occasionally absurd cycle of addiction and recovery.

Opening at the culmination of a disastrous trip to Puerto Rico, the first page of Impossible People finds Julia standing stupefied in the middle of the jungle beside a rental Jeep she’s just crashed. From this moment, the story flashes back to the beginning of her five-year journey towards sobriety that includes group therapy sessions, relapses, an ill-fated relationship, terrible dates, and an unceremonious eviction from her New York City apartment. Far from the typical addiction narrative that follows an upward trajectory from rock bottom to rehab to recovery, Impossible People portrays the lesser told but more common story: That the road to recover is not always linear. With unflinching honesty, Wertz details the arduous, frustrating, and hilarious story of trying and failing and trying again.